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Sammlung Moderne Kunst in der Pinakothek der Moderne
Barer Straße 40
80333 München

Telephone: +49 (0)89/23805-360
E-mail: info@pinakothek.de

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The Sammlung Moderne Kunst in the Pinakothek der Moderne

The Sammlung Moderne Kunst (Modern Art Collection) in the Pinakothek der Moderne picks up precisely where the collection presented at the Neue Pinakothek ends, namely with the art that came after 1900 or thereabouts. With its extensive stock totaling more than 20,000 works, it is one of the world’s leading institutions for painting, sculpture, photography and new media. Its collection ranges from the most important avant-garde movements of the early 20th century to current contemporary art. In dialogues offering comparisons and in rooms dedicated to individual artists, the displayed works raise formal and contextual issues about modern art. These artworks reflect how conditions have changed in an age shaped by technological optimism, the cult of progression on the one hand and by a heightened awareness of crises on the other. Particular attention is paid to making the historical circumstances of the 20th and 21st centuries visible in the presentation of the collection, and conveying the impact of war and dictatorship, for example, on art.

Within the rich collection of Expressionist works, the Cubist and Futurist redefinition of autonomous art contrasts with the question of man’s changed circumstances in Modernism. The artists of the “Brücke”, the “Blaue Reiter” and Max Beckmann, who is represented in unique depth, address this issue impressively, as is also the case with modern photography, represented with August Sander, Albert Renger-Patzsch and Florence Henri. Pablo Picasso’s pictorial fantasies and formal richness of invention are illuminated in large groups of works along with the Surrealist enigmas of the worlds portrayed by Max Ernst, René Magritte and Salvador Dalí.

Important themes since 1960, such as the formal and contextual extension of the term “art”, the “upgrading” of the trivial, and the ensuing related debate on whether low-brow and high-brow are equal in status are at the center of extensive groups of works by Joseph Beuys, Andy Warhol, Dan Flavin, Donald Judd, Georg Baselitz, Jeff Wall, Rosemarie Trockel, and Anselm Kiefer.

The latest developments, which expand the traditional understanding of the genre, are expressed specifically in spatial installations, performance and media art (Pipilotti Rist, Wolfgang Tillmans). Here the presentation is changed more frequently, as in the nearby Museum Brandhorst, which likewise belongs to the Bavarian State Painting Collections.

The Sammlung Moderne Kunst in der Pinakothek der Moderne is affiliated to the Bayerische Staatsgemäldesammlungen.